Sunday, July 28, 2024

Music, Poetry and AI - A troubadour's final word


 

I have been exploring the use of AI to write songs to accompany my poems. This is a remarkable time for the creative arts. We need to figure out how to certify authenticity and protect IP, image, and privacy. It is still a wild place out there -- but a fascinating place.

This will be my last presentation of AI in this matter because it doesn't age well and the technology and implications are changing very quickly.

A final word from a 21st century troubadour

Here are some links to my music channel with the outcome of this work

   / @utlandersongs  

and   / tom-ask-479096822   Here is an earlier discussion of AI and music:    • Song vs poetry - and a new remix!   AI and personal style:    • Style versus AI   AI and ideation:    • Death of Ideation Sketches  

Saturday, March 9, 2024

Usefulness: Cheap Art and Authenticity

 



Forty dollars for a framed painting? Sixty-five dollars for a hand knit sweater? This is what people charge when they seek usefulness over income. When they enjoy commerce over wealth, when they seek satisfaction over sustainability. 

I was visiting an affluent retirement community where I attended an arts and craft festival. The artists and crafters were talented and had a voice to share. They didn't want their work stacked up in a dusty basement. They wanted others to enjoy their work, their art, their voice. But they wanted a small affirmation of value. They wanted commerce, an exchange of money for their hard work and well-seasoned talent. The pricing did not represent true value, but for me, the pricing was shouting, My work has value! I don't need the money, I just want appreciative homes.

The need for purpose, when money isn’t important, appears in our desire to create.

When branded art becomes excessively valuable, when AI handles the landscapes and portraits, we still seek authenticity. Authenticity is art now. The rules of composition, the use of allegory, and the extension of famous artists’ oeuvre can be managed by generative AI. But art that is authentic will have a home. It will be squeezed between the mass-produced AI generated decorative arts and the wares of lesser talented artists. Authenticity and the human connection between the artist and the viewer will be interesting to watch over these next years. The critics and authenticators might only be asking, Where are the surprises? Where are the mistakes?