Industrial design as we
know it has ended. Industrial design was the world of stylists who did
important work in bringing art and emotion to product design. Now this is only
one part of our profession. Maintaining a death grip on the cloistered world of
colored markers and beautifully contrived ideation sketches diminishes the
power of design.
Are we a profession that
makes beautiful objet d’art with a principal aspiration to have curators of the
Cooper-Hewitt and Vitra give us top billing in their ‘radical design’ exhibits?
Or are we trying to make the world around us a more pleasant, joyful and
wonderful place? All the while earning
money for our paying clients?
We are now a discipline
that uses material science, engineering, psychology, ethnography, and data
science with the same steady hand skills as compressed charcoal. The new
generation of designers must reject one hundred ideation sketches as the
benchmark for exploration. They must reject overwrought drawings that falsely
project a progression from basic forms to finished product. This is old school.
The new school needs to
execute designs that perform beautifully and embrace interdisciplinary
collaboration with alacrity. We must make designs that don’t bleed a connoisseur’s
watermark. Designs that surprise and instill wonder. Designs that satiate
aesthetic needs, societal wants, and reflect an individual designer’s passion.
We live in a world of
augmented reality, artificial intelligence, networked data and international
communications. We must adjust radically while remembering our important legacy
of creative exploration, visualization, communal work, critiques, and
introspection.
In the new school of design,
we need to richly engage emerging technology and sit at the feet of emerging
industries. How many more toaster and desk lamp designs do we need? It is much
more fun to develop attractive radii than read a paper on neural networks. But
hard work and learning beyond the stylus is vital for professional designers.
Those who blend art and
other disciplines advance evocative design expressions. They blend the sublime
with the scream and the whimsical with the wonderful. There’s a lot more out
there, let’s start exploring.
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