Friday, October 5, 2018

Honesty in Academia and Art


  

A well dressed, well-spoken admissions officer told us with a straight face that they read all the student essays at an Ivy League university we were checking out. 35,000 admission essays.

This was ridiculous and deceptive proclamation. The sad part is many applicants spend weeks getting their essay to look perfect. Clearly the facts are different, but we lie to our young people to present some sort of ideal impression. Us older, alas, more cynical people know when the numbers don’t line up.

How many people do you need to read, assess, and quantify 35,000 essays every year? They had an 8% acceptance rate. Why would they bother to read essays from students that didn’t meet other criteria? What are those secret criteria that they mask with their “essay” criterion?

I don’t know what they do with these essays. Logically, they use them for borderline cases and other program goals. Maybe they use keyword searches, discourse analysis, or AI driven evaluations. Maybe they don’t read most of them. The sad part of this deception is the false promise it makes and the wastage of applicants’ time.


And then we have the world of art in which branded artists seem to be more important than the art itself. We have art trying to squeeze into STEM education and thereby belittling art and selling it as design and styling. All with the catching acronym STEAM.

Recently a museum displaying the works of French Fauvist-style painter Etienne Terrus discovered that more than half of their collection was counterfeit. Counterfeits are humbling. The fact that counterfeiters spend time doing this work has a flattering component. However, it highlights the contrived values that can put fine art into the same category of DeBeers controlled diamonds. Perhaps this is why people love Bansky.

We all struggle with honesty. Read John Murray’s “Sanctity of Truth” if you really want to be humbled. I had my own business for a while and if you don’t present your best face to the market you won’t last long. Listing your string of failures isn’t normally a good marketing plan. 

It is humbling that both academia and art, which one would think are purveyors of a type of truth, struggle with what honesty means.

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