Tuesday, July 17, 2018

Stop Sketching?


“Sketches are misleading. The digital process is liberating. In one week I can have a well-resolved design based on a data set, not just a drawing.” (1)

This is according to Sasha Selipanov, designer of the Bugatti Chiron and now chief designer of Genesis Advanced Design.

The role of software in design will be an ongoing discussion. However, MotorTrend had an interesting presentation on the issue comparing Silipanov view with a couple of designers who were fond of physical media and concerned about computer involvement in the creative process.

“The seductive speed of the computer makes people think they can make soup from scratch in 15 minutes. But the soup you get sucks.” opined Jerry Hirshberg, founder of Nissan Design. (1)

This may sound like a generational battle but there is more to it. These debates encourage humility. You don’t find unity in what great designers love and hate as far as design tools. There is no “best” design method and no “best” design tool.

We are fortunate to have a number of digital and physical tools available that allow the designer to pick what works best for the application. You don’t make colorful paintings without a full palette. The artist blends, tints, shades, and glazes to get the desired effect. The same is true with design tools.

Don’t let anyone tell you what the best conceptual development tool (or method) is for you!



1. Rechtin, Mark. “The Human Touch, Does CAD software dream of electric cars?” MotorTrend, July 2018, p. 25.

Saturday, February 24, 2018

Jungle Rivers







I have spent a lot of time overseas and in varied environments but jungle rivers always fascinated me. When I was working in Venezuela, I had to cross an area where vegetation had grown over a slow moving river. I had to walk on roots while getting swarmed by mosquitoes and ants. The trees had long spines so I had to use a machete to catch myself. If you slipped off a root you plunged into the black water. It inspired me to write a short poem that captured my battle with nature:

Jungle River

The confluence of elements made it known,
That this was a world all onto its own.

No man will pass without our scar,
A vision of hatred to be carried far.

Leave us alone for you cannot prosper,
In the overgrown river we will conquer.

 


In contrast, there was a time during this Malaysian study when my family was swimming in the Lemanak River in Sarawak, Borneo and I appreciated that it was a perfect time. When my kids wanted to be with me and the brown, jungle river flowed with adventure. Poetry is often where I park my most important memories and this experience prompted me to write the following:

Lemanak River

Vine wrapped ceiling
Giant timbers reach
Palette of greens
Sticking to the sky

Muddy river droning
Current always on
Moving melody
Licorice magma flow

Far from home bed
Sliver of web’s reach
Swimming with the children
They trust my steady legs
Laughter blends with:

Water gushing,
Insect buzzing,
Primordial smells creeping,
Wet air washing,
Sunlight straining.

My arms pull Elayna and steady Eric
And these moments rage
Down the river flowing.

Is this the perfect time?




Traditional Fishing Boats of Malaysia



I have always loved boats. I love sailing them, rowing them, building them, drawing them, and studying them. When I first encountered the strikingly beautiful boats of Southeast Asia over 30 years ago, I was impressed at the use of sail and wood in commerce. Now the sails are largely gone but boatbuilders and fishermen’s intimacy with trees and traditional knowledge remain.


The construction of these boats is fascinating. Traditional Malaysian boats are normally built without drawings and from the shipworm and rot resistant hardwood chengal. The keel, stem, and stern are made from massive timbers into which are carved receiving surfaces for the rest of the framework. The planks are bent either by the simple application of force using clamps or by heating them with fire. The planks are fastened to internal frames. 

 
On the east coast the planks are connected using trunnels (wooden dowels) typically made from iron wood. This joining technique is also coupled with a traditional method of sealing the planks in which a layer of melaleuca tree bark is pushed over the trunnels. Adjoining planks are hammered over these trunnels. In contrast to this traditional technique, plank sealing is produced on the west coast and some areas of the east coast, by pressing rope between the planks. The boats have distinctive bow and stern features as well as a myriad of delightful idiosyncrasies that make them special.

Friday, January 26, 2018

I emailed it to you....




I used to travel a lot for work. One day I received a beautiful envelope from USAir. Inside was a letter and booklet. This was not junk mail -- these were extraordinary documents.

The letter was on textured, thick paper, with embossed letterhead and golden letters. It looked and felt important. The booklet explained how I had earned “gold” frequent flyer status and all the benefits that came with it. Inside the booklet, along with superfluous tissues, were beautiful golden cards for my luggage and wallet. This packet of information made me feel important. It made me feel good. What a remarkable accomplishment for a faceless company that just flew me around. I could be swayed by artfully presented paper and plastic.

I now receive documents, even important ones, as attachments to poorly labeled emails. There seems to be a sense of disrespect when given an email rather than a document that has been carefully prepared both in terms of content and presence. This feeling of disrespect seems silly perhaps, but it is real. Presentation is important.

I try to look past this and focus on content. But I am still a bit sad when I hear, “I emailed it to you” rather than, “here it is” and feel the paper and experience the care in the presentation of the content.



Saturday, December 30, 2017

Favorite Ships





Here are my favorite ships and boats - a light-hearted appreciation for spectacular craft for a variety of reasons.



Gokstad, built just right for the times. Hopefully more for cargo than raiding.




The Stag Hound was an extreme clipper, maybe not as famous as Flying Cloud but what a beautiful revolution!





The Normandie was an Art Deco inspired transport with an amazing attention to design details that made this a grand floating experience. I love the poster too!


The Jahre Viking went under different names but what a beast she was, made during a time of  the gigantism of the Boeing 747 and Sears Tower.  564,000 dwt, 1500 feet long (458 m), draft of 80 feet (24.6 m). Wow!


I always loved the "snekke". A double-ender as she should be in this North Sea environment - and appropriate for their slow speed.


This is my Malaysian fishing boat design. Beautiful in my eyes....





Friday, December 22, 2017

Colorful Words


The meeting of blue and red on the color wheel has always bothered me because it is illogical in terms of light frequencies. The relationships described by the color wheel are helpful but I don’t think people think about color enough.

The sky is blue because of Rayleigh scattering. But that is the type of physics “instruction” I hate – just give a name to a phenomenon and move on. What does that do for me? Now I have a name, I still don’t understand what is going on. Descriptive not explanatory - very unsatisfying.

Sunrises and sunsets provide beautiful colors because of the distinctive colored photons produces by the Sun. The Sun produces tons of photons at distinctive frequencies like in a rainbow.  We call them colors if they fall in the frequencies to which our eyes happen to be sensitive. White light is produced by the mixture of these colors, the Sun is not generating white light. Although from space it looks white, just like any other star, because we mentally recombine the distinctive colors.


Why does the Sun appear yellow to us? It appears this way because the shorter frequency (blue) light gets scattered more in the atmosphere than lower frequency colors. The blue is subtracted from the light produced by the Sun as it makes its way to your eyes. Because it is missing some blue – stolen to make the blue sky—the Sun appears yellow.

The physiology of our eye is such that we see a range of frequencies with a peak in the middle as the typically three types of photoreceptors have peak sensitivity above at and below the green frequency. A tiny percentage of people are tetrachromats and have four photoreceptors. There view of the world is so rich that they don’t have language to describe it. A tiny percentage of the people have various types of colorblindness and they too see the world differently than most.

The blueness of the sky changes with how much atmosphere you are looking through, that is why it is darkest straight overhead. The atmosphere is a blue filter. When painting a sky, you lay down white paint at the horizon and blue at the top of the canvas and blend them together.



Our eyes are picking out frequencies and our brain combines them so we don’t see reddish green but we do see yellow. What we see is illuminated by incoming light, from the Sun, the sky, a lamp and reflections from all sorts of surface. This makes the study of color and its portrayal in art very interesting. And humbling. Our physiology is different so we might be seeing different things. When Monet went through his “blue period”, he may have been less able to see blue and therefore intensified that hue. How do we use words to explain the colors we see? Why is the sky darker outside a rainbow than inside? What I see in my painting might not be what you see.


The color pictures from Mars Rover are a spectacular reminder that the sky is not blue on Mars. Instead, it has colors that have been described as everything from "orange-pink" to "gray-tan", as was discovered in the 1970s by the Viking landers. This is because the atmosphere of Mars is very thin and dusty, and atmospheric light scattering is dominated not by the molecules of gas (in the case of Mars, mostly carbon dioxide) but by suspended dust particles. These are larger than the wavelengths of visible light, and they are reddened by iron oxide, like Martian soil. It's not just Rayleigh scattering, so the power spectrum is different.