Saturday, May 28, 2016
Friday, May 27, 2016
More Poetry
Summer Wounds
I’ll put a swab of goop here and there
And lay a bandage with silly care.
“That scratch is ok, that how it’s should look
The bruise is small and we can sew that tear.”
You will limp for a minute (and I for a day)
“Let’s keep going, we all want to play.”
A summer day leaves us,
With grins and a bruise,
To remember the day
We did what we choose.
Gray Morning
To bus in gray highlighted darkness
The yellow an ochre smudge.
Climb on in promising promise
To grab what they present.
Learn between the pages
And your teachers’ chats.
They learn what is there
While we wait in fear.
Giving
Bird slides a stick into a warming nest.
Callused hand lain on a frightened head.
Mother’s heartbeat calms a worried soul.
I too bring my love like water
Gently wrapped around a smoothened stone.
Gently Aging
The morning walk grows late
Sun warms my skin clad skull
Pleasant moment, where is future’s cry?
Frayed blanket dulls falcon’s glare
Slowing my skates in heavy snow
The winds lie silent while I wait
Love walked with steady gait
But left passion astride
Don’t let it wane
When biology is done
Please walk further and feed my brain
I know the taste of a comet’s tail
And the pulse of the ocean’s swell
I remember a rainbow when it was worth a long gaze
Now I see over curved vistas
And leave the present to the mites
My hair is not washed by wisdom
But simply gray
My walk is stifled by joints ground flat
These gifts of the rush of time
Please leave me my senses, my future, my dreams
Moments have raced through
Raising the height which wonders must leap
To turn my neck and draw eyebrows up
Passion walk with me further
Let a new car’s smell make magic stir
Let a wife’s kiss sparkle my eyes
And a child’s call stop my cries
Let a rainbow stop me for a delicious moment.
Poetry
I have written poems all my life, most are about God and my children. Here are some for those that like poetry but I'm including some of my paintings too, which I hope you enjoy.
Time Warrior
Days’ race taunting me
Get on the course
Ride with passion
Full-blooded horse.
A minute is a sacred vow
To prove life is present now.
Hiding Place
Wind touches grass and smiles,
Clouds color awaiting sky.
Green breaks the living soil
And washes the soothed eye.
Whispers enter these gathered lilacs;
Perfect time in this summer place.
Where we can hide together
In silent, welcoming grace.
Peace
Lay on rested shoulders
Wreath of gently aged leaves
We worship at your center
And kick you from aside.
Grace our days
And
Please survive.
The Class
Scratch the board with squealing thoughts
Numbers ramble and lights glare,
Concrete floor and white papered tables
Flying facts as you sit and stare.
Sullied air, reused too oft
Why don’t you let me out,
To run with the wind
And free the trapped shout?
Hot blowing air
Push book strewn force
On his jangled hair
To silence droning voice.
But in cave of concrete and paper
Grew knowledge of wonderful things
That may, I hope dear students,
Ease in tomorrow’s stings.
Lemanak River
Vine wrapped
ceiling
Giant timbers
reach
Palette of
greens
Sticking to
the sky
Muddy river
droning
Current
always on
Moving melody
Licorice
magma flow
Far from home
bed
Sliver of web’s
reach
Swimming with
the children
They trust my
steady legs
Laughter
blends with:
Water
gushing,
Insect buzzing,
Primordial smells creeping,
Wet air washing,
Sunlight straining.
My arms pull
Elayna and steady Eric
And these
moments rage
Down the
river flowing.
Is this the
perfect time?
Another weird load
The stresses your design encounters are usually some combination of tension, compression and shear. What I call “normal” loads are these plus the common cases of flexure and torsion. “Weird” loads are everything else, like stress concentrations, fatigue, thermal expansion, buckling, impact etc. There are many other types of “weird” loads that get increasingly esoteric.
One type of loading I thought we could talk about is triaxial stresses, which can put a small portion of an object at stresses beyond its yield point and produce plastic flow in a tiny portion of your design. This can happen where solids contact at concentrated points such as curved surfaces and rough surfaces. Most surfaces are rough and the localized stresses are produced between particles where the peaks (asperities) and valleys of the particle surfaces interface. This contact area is much smaller than would be provided by an apparent contact area of a perfectly smooth surface. Generally, the smallest of these asperity junctions contact one another under highly localized pressure and therefore deform plastically. With further load however, the larger asperities engage each other and the contact area increases. These asperities deform elastically because of the large contact area. With many metals and brittle materials the mechanism of plastic deformation is an anisotropic “slip” in which planes of atoms slip over each other. As the load increases, a critical shear stress is achieved causing plastic deformation within the zone of elastic deformation. This can be common on curved surfaces like bearings. What is strange is that the deformation is constrained by this sphere of plastic deformation that prevents further penetration of the stress into an object. This cushion of mush can pop out of the surface and/or acts as a bullet proof vest for the underlying material.
To look at this further, consider one of the material yield criteria that can be applied to the asperity contact, based on Tresca’s maximum shear stress, which gives the yield point being one half the yield stress in tension or compression. Another criterion that can be applied here is the von Mises shear strain energy criterion. This criterion is based on yielding occurring when the distortion energy rises to equal the distortion energy at yield in pure shear or tension. This is commonly used in finite element analysis results so I'll put the equation here even though I can't get the math functions to work well (sorry) This criterion gives:
(Y^2)/3 = k^2 = (1/6){(σ1-σ2)^2 + (σ2-σ3)^2 + (σ3-σ1)^2}
Where, σ1, σ2, σ3 are the principal stresses, k = shear, and Y = tension or compression. Therefore, the yield stress in pure shear is fifteen percent higher than the yield stress in simple tension than predicted by the Tresca criterion.
For axisymmetric contact of two spheres, the maximum shear stress occurs beneath the surface on the axis of symmetry. The derivation will not be shown here, however by Hertzian analysis for a Poisson ratio of 0.3, half of the absolute value of σz- σr = 0.31 p at a depth of 0.48 a, where: p= maximum contact pressure and a = contact radius
Therefore by the Tresca criterion, the yield value is given by,
(p) = 1.5(pm) = 3.2 k = 1.60 Y
Where, pm = mean contact pressure
While von Mises gives: (p)y = 2.8 k = 1.60 Y
Therefore, the load, W, to initiate yield is given by Hertzian analysis. For a composite modulus of elasticity equal to a ratio of modulii of elasticity (I won't include the equations here). You can then calculate
Wy =21.17 Y(R^2)[(Y/E)^2], where E is the composite modulus of two materials.
The distribution of these stresses is interesting to note. A spherical band of tensile hoop stress develops around the point of contact and prevents the expansion of the plastically deformed material. This band produces a peak hoop stress at the surface, which delineates the tensile radial forces outside the band and the compressive stresses within it. This stress distribution is the cause of surface cracking in non-hardening materials. These stresses are a “weird” load because they produce a tiny area of plastic deformation that only occurs at the surface contacts and no where else.
Wednesday, May 25, 2016
Five things I wish I had designed
I was thinking of the five things I wish I had designed. These are not great, disruptive systems like electricity or the internet but more humble objects that have provided great service to so many. My list:
1. Bicycle
2. Sailboat
3. Scissors
4. Nut and Bolt
5. Zipper
2. Sailboat
3. Scissors
4. Nut and Bolt
5. Zipper
I like many of these because they both complicated and work reliably, such as bicycles and zippers. I love to sail. In the context of design, I’m thinking of a Bermuda rig that can sail upwind. Harnessing all that power safely and then directing it to provide a somewhat predictable force is amazing. I have an 1899 Scientific American article where someone watched how snow got entrained in an ice boat’s sail as it sailed upwind and observed an eddy in the upwind side of the sail. He then confidently asserts that it was the counter-rotating of the eddy that pushed the sail forward. All wrong but asserted with great authority.
I would not have been clever enough to develop a machine that is unstable at rest like a bicycle. I would have kept the training wheels on as a vital part of the design and written severe admonitions to future designers who would have the temerity to reduce the wheel count to anything less than three.
Scissors are probably the most boring of these designs but I can imagine someone messing around with knives and figuring this out. I imagine lots of people designed scissors independently. And here scissors remain, largely unchanged, being vital tools of the 21st century. No manuals or safety instructions required. A great example of affordances and mapping.
I realize these things are all evolutionary but they still amaze me. They have evolved to high levels of reliability through the careful work of generations of people.
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